It was during the making of this thing here that I think I’ve found a way to communicate the kind of artist I am and what it is I want to convey with my work.
Unlike people who can illustrate better than me, I don’t have an “artist’s statement” so much as an “artist’s defense”. I design with no intention more profound that desiring to make something that looks cool (at least to me), and moves my spirit to imagine other, even cooler looking things. I have no esoteric statement to make. There is no symbolism or hidden messages about politics, economics, religion or humanity unless you want to see it there, then by all means knock yourself out. Illustration for me is about the ideas that concepts themselves conjure. The best way I can make that make sense is to compare it to the world of fan-fiction. Fan fic writers pen their stories in order to fill in missing pages from a pre-existing story, or to insert pages where either none existed in the first place or where the writer him/herself feels there ought to be a little something extra. In most fanfic cases, this is limited to developing intense sexual relationships between characters from entirely different shows, but I digress. As fanfiction is the audiences contribution to the storytelling process, I feel my design intention is to continue embellishing on pre-existing idea and take it, if possible, to an entirely new, unheard of and perhaps ridiculous place.
With “Red” for instance, the caped woman with the white wolf at her feet became an alternate universe rendition of the Little Red Riding Hood of fable. That in itself has turned me down a path of creating twisted versions of Disney princessess and storybook fables. Earlier on, with pieces such as the Marvel series, I was content with establishing my own rendition of a character’s portraiture. But what is portraiture but a pretty picture to ogle at? There must be a way to make it different — to prolong the period of ogling. There should be some whiff of an idea to ponder upon there. Something that is intrinsically exciting to imagine. Thanks to my recent ventures, I think I’ve finally moved beyond banal caricature. I realize that I do have a story I want to tell, but it’s a very simple one. Much less a story, as simply an idea. Simply put, I want to create a new idea from an existing concept as minimalistically and colorfully as possible.
Blooming late at 24, I think I’m finally finding my own design voice and style. It’s come comfortably to a temporary state of rest atop the themes that already exist in my creative repertoire. So far, this is what I can identify:
– the strong women who kick butt aren’t going anywhere
– striking color palettes are always first and foremost and nothing I do is complete without some kind of fabricated texture
– my lazy attitude towards environmentally realistic shadows and light sources will also stay, because I’m a fan of Mannerism
– I prefer generally proportionate and fit heroes and heroines who stand in Classical contrapposto, because I think it’s the sexiest way to stand ever
– my women continue to look like adolescent boys, because I am facially dyslexic or something
– last but not least, when possible, everything in an illustration of mine will face in roughly the same direction. I like making perspectives slightly wrong looking to create a quasi-Cubist, surreal look to an environment
Oh, and also I lovelovelovelove halftoning.